Joe Hill's The Cape
writer- Jason Ciaramella
artist- Zach Howard
When we were children, we all
fantasized about having special powers like super strength,
invisibility, or x-ray vision. Some of us even tied towels around
our necks and pretended we could soar into the heavens. Joe Hill's
The Cape, explores one of the possibilities of what happens when the
kid next door puts on a cape and discovers that he has superpowers.
The Cape is written by Jason Ciaramella
and illustrated by Zach Howard. As you might have guessed from the
book's full title, it's based on a short story by New York Times
bestselling author, Joe Hill.
I'll admit that the main reason I gave
this book a look was Joe Hill's name on the cover. I know they say
to never judge a book by its cover, but Joe Hill has never been
wrong. Now, I'm going to read everything Jason Ciaramella touches.
He's flawlessly captured the feel and style of Joe Hill within the
pages of The Cape, and has left me stunned. In the book, Ciaramella
introduces us to an 8 year old boy. We like this boy right away. We
empathize and sympathize with this child and when he's older and
trapped within his own disappointment and pain, we care. But then we
get a sudden punch to the gut. Blaming everyone else for his
personal failure, this child is transformed into a man filled with
rage and loathing. The thing about Ciaramella's writing, the thing
that makes this story so believable, is the answer to the question,
“If you had superpowers, would you be a hero or a villain?” It
all comes down to human nature. When real human nature rears its
head in our comic books, it makes us uncomfortable. But when we're
uncomfortable, we know we've just read a great story.
Zach Howard's art is well suited to
this title. It's realistic enough not to distract the readers and
yet rough enough (or dark enough) to keep us a little uneasy.
Howard's artistic style and Ciaramella's writing tag-team us into
that discomfort and place us inside our heads. We're no longer
looking at pictures in a book. We're experiencing the story as it's
played out, scene by scene, as though we're a part of it. This
effect has been known to haunt tsome reader's thoughts long after the
book has been put down.
I think it's important to point out the
colors by Nelson Daniel in Joe Hill's The Cape. Coloring has finally
become its own art form and is being recognized as such. Daniel
brings bright vibrant colors to the happy youth of the main character
and dimmer darker tones to the angry bitter life of the character
when he's older. In my mind, Nelson Daniel's colors are just as
responsible for the intense feel of this book, as Howard's art.
There you have it... The Cape, as read
and reviewed by Outside The Cube. If you missed the series in its
individual issues, you can get the hardcover collection from IDW at
your local comic shop or at most online book sellers. It's well
worth it if you like serious, intense, edge-of-your-seat reading.
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