Fairy Quest: Outlaws
writer- Paul Jenkins
artist- Humberto Ramos
Fairy Quest: Outlaws crossed my desk
recently, and I was finally able to see for myself what all the buzz
was about. It takes place in a land called Fablewood where nursery
rhymes live out their lives playing and replaying the stories laid
out for them. Peter Pan always torments Captain Hook, Sleeping
Beauty always gets kissed by the Prince, and Red Riding Hood's
grandma always gets eaten by the
wolf. This is a story about what
would happen if Little Red Riding Hood and the wolf became friends.
When I first heard of this book, it was
a kickstarter pitched by writer Paul Jenkins. I interviewed Jenkins
for this site, and we talked about his work with Marvel and his
recent work with DC, but we really got into talking about this
incredible friendship between a little girl and her wolf, and how
they must run for their lives to a land stranger than the one they
know.
Jenkins and Ramos created a labour of
love in this book, and it really shows. In the interview, which you
can listen to here, I asked the writer how he decided to use Humberto
Ramos as his artist. He explained that it was actually Ramos that
came to him with the idea, saying that it was a book that just needed
to be made. Thankfully, Jenkins agreed, because this book is
superbly written and stunningly beautiful to look at.
Years ago, I was ignorant and critical
of Ramos' artwork. Today, I look at the characters he creates and
realize that it's just another style, or another way of telling the
story with images. Of course now that I'm older and have learned a
thing or two, I find myself loving everything by him and scooping it
all up, whenever I can. One thing is for sure, there's nobody out
there who could have pulled off what he did in Fairy Quest. How can
I criticize something that comes off as pretty darned perfect? Let's
take his character “Red” for instance. She has huge childlike
eyes, big clumsy feet, legs that look like noodles, and a stern pouty
look that says this little girl means business. That's his art and
honestly, in real life, that's what every girl Red's age looks like
anyway. So, no. I don't have any criticism of Humberto Ramos'
artwork. His children look like children, his wolf looks large and
robust, and his villains look as evil and as nasty as anything I've
ever seen.
And what about the writing? It's
brilliant. There's obviously a rapport here, between artist and
writer, that most creative teams aspire to achieve. It's as if
Jenkins and Ramos are finishing each other's sentences in the form of
a beautiful fairytale.
I've always been a fan of Paul Jenkins
because he's the guy who proves to publishers that instead of the
holo-foil, glow-in-the-dark, gravy flavored, scratch and sniff covers
the gimmick in the comic book can actually just be great writing. He
makes us believe in Never Never Land because he makes us believe Fairy Quest really is a children's book, but it isn't. It's a story
about change, and freedom, and standing up for what's right. Those
are all great things for kids to learn about, but it's crucial that
adults know about them too.
in
Peter Pan. And he does it by telling the story as if it's being told
to a child. Who'd lie to a child? It might sound like I'm saying
that
Look up Fairy Quest: Outlaws. I
promise you'll love it, and Jenkins and Ramos promise that the saga
will continue.
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